HAIRSTYLE DNA: NEON SPLIT-FRAME BUTTERFLY CASCADE

Transform your hair into this style! Use with: MASTER THREE-VIEW HAIRSTYLE TRANSFER PROMPT for all angles

Construct the following hairstyle exactly as written. This description is the complete authority for the hairstyle; do not substitute a generic style, simplify its construction, or improvise trend-based alternatives.

OVERALL SILHOUETTE

An ultra-long, extremely high-density glamour wig built around a sleek, narrow upper silhouette and dramatically expanded butterfly-layer volume through the lower face, shoulders, chest, and lower lengths.

The upper 20–25% of the hairstyle closely follows the skull with minimal bulk. Beginning around lower-cheek-to-jaw height, the silhouette expands laterally through multiple outward-sweeping face-framing layers. It reaches major fullness around shoulder level and maximum visual mass through the chest and lower lengths.

From the front, the silhouette is approximately balanced in physical volume but intentionally asymmetric in color. Large layered curves create alternating outward projections and recessed negative spaces along both outer edges.

The lower half consists of enormous overlapping black S-waves and rounded barrel curls, creating a dense cascading silhouette rather than a tapered triangular shape.

Treat the hairstyle as one fixed three-dimensional object attached to the wearer's head. Different viewing angles reveal different surfaces of this same construction; they do not create separate versions of the hairstyle.

LENGTH AND SCALE

The longest strands are approximately natural-waist length when stretched straight. Curl compression causes the visible perimeter to fluctuate between lower-bust and upper-waist level.

The shortest major face-framing layer terminates between the lower cheekbone and jaw.

Successive layer endpoints occur approximately at:

- jaw/lower face;
- upper shoulder;
- upper chest;
- mid-chest;
- lower chest;
- lower bust/upper waist.

The sleek root zone extends approximately one-third to one-half of a face-height from the scalp before strong curvature develops.

At maximum fullness, the hair projects approximately one-half to three-quarters of one facial width beyond each side of the face.

The largest lower curls have an apparent diameter of approximately one-half to three-quarters of one facial width.

PART AND ROOT ARCHITECTURE

Use a clean, narrow center part beginning at the exact frontal center of the hairline and traveling straight posteriorly across approximately one-half to two-thirds of the visible top-of-head depth.

The part is straight rather than diagonal and exposes only a narrow realistic scalp/lace line.

Roots adjacent to the part lie smoothly downward before directing toward their respective anatomical sides.

Root elevation is minimal. The crown must remain sleek, molded and skull-following.

No teasing, backcombing, crimping, braided root structure or excessive crown lift is visible.

All visible roots surrounding the center part are jet black.

Both fashion-color panels retain a short black root transition before their saturated color becomes dominant.

HAIRLINE AND BABY HAIRS

Use a realistic lace-front hairline with subtle natural irregularity rather than a perfectly geometric edge.

Density begins finer along the immediate frontal boundary and increases behind it.

Keep the lace visually undetectable.

Temple points are softly defined.

Use only minimal, fine baby hairs around the temple regions. They should lie close to the skin in shallow controlled curves.

Do not create large ornamental forehead swoops, exaggerated edge designs, heavy sideburn curls or dense forehead-covering baby hairs.

FRONT AND FRINGE

There is no conventional bang or forehead-covering fringe.

The forehead remains open beneath the center part.

The front architecture consists of broad butterfly-style face-framing layers originating from the forward center-part and temple regions.

The shortest prominent layer reaches approximately lower-cheekbone-to-jaw level.

Approximately three clearly readable face-framing tiers appear on each side before merging into the longer body.

Every major front layer curves away from the face.

The front pieces are broad, dense, ribbon-like sections rather than thin tendrils.

Their repeated outward flare followed by inward return produces the signature feathered butterfly profile.

ANATOMICAL LEFT SIDE

The wearer's anatomical left side contains the hot-pink/fuchsia face-framing panel.

A short jet-black root region emerges from the scalp before transitioning into saturated pink/fuchsia.

The pink occupies multiple substantial forward-facing layers rather than one isolated streak.

The shortest pink layer sweeps outward from the lower cheek/jaw region. Additional pink layers cascade behind and below it through shoulder and upper-to-mid-chest level.

The pink follows the curvature of the physical strands through each C-curve and S-curve.

A much larger jet-black foundation remains underneath, between and behind the pink sections.

The pink is concentrated toward the front-left quadrant and does not become an all-over left-half dye.

Anatomical left remains pink regardless of camera position.

ANATOMICAL RIGHT SIDE

The wearer's anatomical right side contains the turquoise/teal face-framing panel.

A short jet-black root region precedes the saturated teal.

The teal occupies multiple broad front layers rather than a narrow highlight.

The shortest teal layer sweeps outward around lower-cheek-to-jaw level. Successive teal layers cascade through shoulder and upper-to-mid-chest height.

The teal follows the actual curled strands and therefore bends through the same C-shaped and S-shaped geometry as the hair.

Black hair remains underneath and behind the teal panel and supplies most of the side's overall mass.

Teal remains concentrated within the front-right quadrant rather than covering the entire anatomical-right half of the wig.

Anatomical right remains teal regardless of camera position.

CROWN AND REAR CONSTRUCTION

The crown is predominantly jet black, smooth, glossy, dense and compressed close to the skull.

Continue this black foundation continuously around the parietal and occipital regions.

The rear upper section remains relatively smooth before progressively developing broad waves farther down.

The back is overwhelmingly jet black.

Rear lengths contain long overlapping layers that transition into broad S-waves and oversized lower curls.

The nape is black and concealed beneath the surrounding density.

Do not create a teal/pink division down the back.

From rear or oblique-rear angles, colored hair may appear only where the existing front/side colored sections physically wrap into visibility. Do not invent additional rear color panels.

LAYERS AND PERIMETER

Use six principal layer families:

Layer Family 1 — Lower Face: shortest major butterfly layer ending around lower cheekbone/jaw.

Layer Family 2 — Jaw/Shoulder: longer outward-flaring layer forming the next visible step.

Layer Family 3 — Shoulder/Upper Chest: broad, heavier curved layer.

Layer Family 4 — Mid-Chest: long S-curved sections integrating the colored front panels with the black foundation.

Layer Family 5 — Lower Chest: predominantly black, increasingly large waves and curls.

Layer Family 6 — Longest Foundation: ultra-long black base approaching natural-waist length when stretched.

The layers overlap continuously rather than appearing disconnected.

The perimeter is thick, rounded and curled.

Ends remain exceptionally dense.

Do not produce wispy, razored or see-through ends.

The inferred rear perimeter forms a broad soft U-shape when the curls are conceptually stretched downward.

TEXTURE

The fiber begins as silky straight-to-slightly-wavy hair and is professionally heat styled into an exaggerated large-barrel blowout.

Roots are nearly straight.

Upper face-framing layers form pronounced C-curves.

Mid-lengths transition into broad alternating S-curves.

Lower lengths form extremely large rounded barrel curls.

Curl diameter generally increases toward the bottom.

Front curls are directed away from the face on both anatomical sides.

Hair moves in thick polished ribbon-like groups rather than hundreds of individually separated curls.

The texture is smooth, soft and weighty with extremely low frizz and minimal flyaways.

Do not generate beach waves, small spirals, ringlets, tight curls, crimps, kinky texture, wet curls or random mixed curl directions.

DENSITY AND VOLUME

Overall strand density is extremely high.

The crown contains high density but low apparent volume because it is compressed against the skull.

Volume begins increasing around the temples and lower face.

It expands substantially around the jaw and shoulders.

Maximum visual fullness occurs throughout the chest and lower lengths.

The bottom remains thick and heavily populated rather than tapering into a thin tail.

Small negative spaces occur only between successive butterfly-layer curves and overlapping lower curls.

The defining volume progression is:

compressed crown → moderate temple expansion → strong jaw/shoulder flare → massive chest volume → extremely full lower curl mass.

COLOR CARTOGRAPHY

The dominant color is jet black.

Jet black occupies:

- the entire center-part root region;
- most of the crown;
- rear crown;
- occipital region;
- nape;
- deep side layers;
- interior hair mass;
- most lower lengths;
- most of the final perimeter.

Anatomical-Right Teal Map

Turquoise/teal is permanently assigned to the wearer's anatomical-right front quadrant.

It begins only after a short black-root transition.

The color enters several broad face-framing sections and follows those specific strands through their outward butterfly curves.

Maximum teal visibility occurs from face-framing height through shoulder/chest level.

It gradually becomes less dominant where the colored layers merge visually with the much larger black lower mass.

It never crosses the center part.

It never transfers to anatomical left.

Anatomical-Left Pink Map

Hot pink/fuchsia is permanently assigned to the wearer's anatomical-left front quadrant.

It begins after a short black-root transition.

Pink occupies several broad face-framing sections and follows those same strands through their curved layered path.

Maximum pink visibility occurs through the face, shoulder and upper/mid-chest region.

The colored sections visually merge into the dominant black mass farther downward.

Pink never crosses the center part.

Pink never transfers to anatomical right.

Color Values

Black: deep neutral-to-cool jet black, highly reflective, with charcoal rather than brown highlights.

Teal: saturated blue-green turquoise/teal; bright cyan-turquoise on illuminated convex surfaces and deeper teal in curl recesses.

Pink: saturated hot pink/fuchsia with a magenta undertone; brighter pink on illuminated ridges and deeper magenta within shadowed folds.

The fashion colors are dimensional dyed hair colors, not flat graphic overlays.

SCULPTURAL ELEMENTS OR BRAIDS

No braids.

No buns.

No ponytails.

No knots.

No rolls.

No horns.

No spikes.

No bows.

No rigid sculptural structures.

The only sculptural architecture is created by the layered hair itself:

1. approximately three major outward-sweeping teal face-framing tiers on anatomical right;
2. approximately three major outward-sweeping pink face-framing tiers on anatomical left;
3. multiple black intermediate S-wave sections;
4. multiple enormous overlapping black lower curl clusters.

All are physically continuous loose-hair sections.

ACCESSORIES

None.

Do not add clips, pins, bows, ribbons, beads, flowers, jewels, chains, cuffs, headbands or visible elastics.

Any wig attachment or internal support remains completely concealed.

MATERIAL AND FINISH

The material should resemble premium, high-density human hair installed as a professionally styled lace-front wig.

Hair surfaces are exceptionally smooth and polished.

The finish is glossy but not wet.

Specular highlights follow strand curvature: narrow elongated reflections across straighter upper regions and broader curved reflections over the convex surfaces of large curls.

Retain realistic fine-strand detail without introducing excessive micro-texture, noise or artificial sharpening.

Hair must not appear plastic, metallic, waxy, greasy or lacquered.

OCCLUSION AND ATTACHMENT

All hair originates continuously from the scalp/wig cap.

The teal and pink sections are dyed portions of the same physical hair system; they are not floating extensions or separately attached ribbons.

From the front, the colored face-framing sections occupy the foremost lateral hair plane.

Some colored curl tips overlap black intermediate sections.

The larger black side/body hair sits behind the colored panels.

Deep rear hair occupies the posterior plane.

Large lower black curls overlap one another across the chest and upper torso.

Hair partially conceals the ears.

Most front lengths fall in front of the shoulders.

Gravity pulls the longest sections downward while thermal styling creates the outward-and-returning butterfly curvature.

No visible mechanical support is present.

When changing viewpoints, preserve the exact same physical strand assignments, color assignments, part, layer origins, curl sequence, length and density. Change only perspective, foreshortening, visibility and occlusion.

Never mirror the hairstyle to manufacture an opposite view.

NON-NEGOTIABLE RECOGNITION FEATURES

1. Ultra-long, extremely high-density black foundation.
2. Narrow, sleek center part with a compressed black crown.
3. Turquoise/teal permanently anchored to the wearer's anatomical-right front face-framing layers.
4. Hot pink/fuchsia permanently anchored to the wearer's anatomical-left front face-framing layers.
5. Short black-root transition above both fashion-color panels.
6. Multiple broad butterfly layers beginning around lower-cheek/jaw height.
7. Front layers curl strongly outward away from the face.
8. Broad S-waves transition into enormous rounded lower curls.
9. Lower and rear hair remain predominantly jet black with exceptionally thick ends.
10. All viewpoints represent rotations around one unchanged three-dimensional hairstyle; color sides, strand membership, layer geometry and curl architecture must never be mirrored, swapped or regenerated.

The Standalone Hair Module is the complete and final authority for the hairstyle.
RENDER-CRITICAL COLOR TOPOLOGY

There are exactly two dyed face-framing color families. All remaining hair is black.

C01 — TEAL COLOR FAMILY

Permanent anatomical owner:
Subject’s anatomical right only.

Scalp origin:
Immediately beside the center part on the subject’s anatomical-right side.

Physical path:
Begins at the anatomical-right frontal root, travels through the right front curtain and right face-framing layers, and continues through the corresponding flipped layered ends.

Fixed color:
Saturated blue-green teal.

Prohibited placement:
No teal roots, panels, ribbons, or layered ends may originate on the subject’s anatomical-left side.

C02 — MAGENTA COLOR FAMILY

Permanent anatomical owner:
Subject’s anatomical left only.

Scalp origin:
Immediately beside the center part on the subject’s anatomical-left side.

Physical path:
Begins at the anatomical-left frontal root, travels through the left front curtain and left face-framing layers, and continues through the corresponding flipped layered ends.

Fixed color:
Saturated hot pink-magenta.

Prohibited placement:
No magenta roots, panels, ribbons, or layered ends may originate on the subject’s anatomical-right side.

EXACT COLOR COUNT

Exactly one teal family exists.
Exactly one magenta family exists.
Neither family may be mirrored, duplicated, recolored, or assigned to both sides.
Black remains the base color everywhere outside these two defined families.